Twin Delivery from your fun-Doctor!

TWIN JOKE!

Hi Friends

Did you know “A joke a day keeps the doctor away” ? Unless he happens to be your fun-Doctor, in which case enhanced empathy with him is the outcome!

You have heard jokes & PJ’s (poor jokes) all your life. But have any of you ever had a brush with twin jokes? Well, I guess not. OK, so here comes an introductory sample:

1)  What is the height of honesty?  Answer: A pregnant lady buying one-and-a-half tickets in a DTC bus! (That, as we all know, is an example of a PJ).

2) What is the height of dishonesty?  No, the answer to that is not another PJ, but a full-fledged joke which goes as under:

A young lady boards a jam-packed DTC bus and snuggles next to a general (unreserved) seat occupied by a bhola looking sardarji, with the expectation of being offered the seat by him. Not eliciting any response, she chooses to blurt out rebuking: “Don’t you have the courtesy to offer your seat to a pregnant lady?”  Feeling flustered and awkward, poor sardarji promptly gets up and his seat is taken. However, on a surreptitious closer inspection, sardarji cannot help remarking: “But ma’am you don’t really look like you are pregnant!” Only to hear her retort: “How the hell would I look that way? After all it’s only half an hour old”.

Now that ladies & gentlemen, & sardarjis (WITH ALL MY DUE APOLOGIES), is the height of dishonesty!

And the combo you just read is an example of a twin joke.

Seat Of The Feet

On my best fun-feet !

If asked, as a physician that I am, to define ‘feet’, I would have had to come up with something like “the lower extremity of the vertebrate leg that is in direct contact with the ground in standing or walking.” And if tailoring had been my profession, which it is not, my reply would have run something like “a unit of length in the U.S. Customary and British Imperial systems which is equal to 12 inches (30.48 centimetres).” But what if I were a combination, of sorts, of the two in a literary sense, let’s say a “doctor of humour (literature)” asked to create a tailor made trappings on the subject of ‘feet’ ? How should my elaboration of the theme have shaped up on full stitching? Let’s take a look at it from the feet up!

The ‘feet’, being the grounding component they are in the human life & body, can have a certain pivotal proclivity all of their own to lending themselves to plural connotations when it comes to an aspiring ‘philosophical humourist’ (like myself) attempting to use them as a theme to gain a foothold in the world of the published word. And when the window of opportunity is truly small, it makes sense to think on one’s feet while putting one’s best foot forward to get one’s foot in the door. Instead of sitting at the feet of powers that be (read: the editor) – a practice no self-respecting man of letters, on either side of the footwear, enjoys these days – it pays much better to get off on the right foot by accepting the literary challenge, without so much as letting the grass grow under one’s feet, lest one may be considered to have feet of clay or worse still, two left feet!

The anecdotal value of feet, so replete in our literature, can be a good starting point. Feet worship, the age-old popular tenet of Hindu way of life which finds a prominent mention in the Ramayan – with Bharat according the pride of place to Sri Ram’s padukas (footwear) on Ayodha’s empty throne during latter’s vanavaas and Sri Ram himself effecting Ahilya’s redemption with a touch of his divine feet – are a case in point so familiar to many of us. And then there is Kamal Amrohi’s extolling of Pakeezah Meena Kumari’s feet in thespian Raj Kumar’s immortal words: “Aapke paaon dekhey. Bahut haseen hain. Inhe zammen par mat utaariyega. Maile ho jaenge!” (Happened to espy your gorgeous feet. Beseech you refrain from grounding them lest they be soiled!). Poignant examples of the human heart itself being the seat of the feet for the pious and the paramour!

Another truly remarkable example of an interesting play on deciding the seat of the feet comes to my mind as memories of a fun game of musical feet that I used to observe Brahmarishi Subhash Patri ji, an eloquent scientist-turned-spiritual-master from Andhra Pradesh and one of my lead mentors on my path to self-remembering way back in 2002, play with his newly acquainted followers.

It was, and I believe still is, literally impossible for a follower to touch his feet, attempting the feat after being immensely impressed by his very fluent & witty discourses on meditation (invariably started with a “You are God also, albeit Gods in amnesia and thus in need of self-remembering” exhortation that’s a modern day recapitulation of ‘Aham Brahmasmi, Tat Twam Asi’ ) without getting their own two feet touched back by him purposely grinning like a comic buffoon. The flustered beneficiaries of his ‘feet touching back‘ would almost invariably conclude that they had perhaps erred in not doing their feet touching fervently enough and would go for a re-doing, often to the point of prostrate kowtowing, only to find Patri ji respond back in the kind yet again. This will continue for a few rounds, with older followers like me watching the familiar rib tickling drama from the sidelines, until the newbie follower would give up in exasperation. However, not before Patri ji would burst out giggling to alleviate their misery with a kind & gentle: “But you haven’t been paying attention to my ‘You are God also’! Now why would God need to touch God’s feet? Let’s make use of a hug, handshake, hello or namaste as per your preference.” This never failed to find him a permanent seat in the hearts of all his enthralled ‘fans’ – yes that’s what he preferred to call his followers/devotees!

Now having succeeded with this ‘pedi-gogical route to pedagogy’ approach for getting the first weekly piece published in my column (Laughter Medicine – the fun & frolic way to wit-n-wisdom), do I get asked how it feels to stand on my own two feet after a display of flagrant feet-fetish? Well, just getting my feet wet, shall we say!

Must rest my case as a pair of feet that belong to a thinking head before it gets to a position tantamount to putting my foot in my own mouth.

Sweep anyone off their feet? Good. I can really put my feet up now!

 

(The foregoing article, submitted for publication in a leading English daily, became an example of feet dragging by the Editor as he developed cold feet & resorted to complete reticence after first declaring it a good, print worthy piece. As you can see, the loss hasn’t been mine. If anything, it galvanized me into implementing my decision of starting my own blog to self publish my works. With this, I can now truly claim to be standing on my own feet with all the editorial freedom to boot! Hope to have a greater number of foot-falls here than if it had been showcased elsewhere! You can contribute to the cause of freedom of writing by making it happen through your ‘likes’ & ‘recommends’ to all your fun-loving friends who can think on their feet fast enough to transform it into a ‘viral hit from a fun-doctor’!)

He is so funny, even his feet reek of laughter!

On my best fun-feet !

Yeh Dosti Hum Nahi Todenge ! ( Not exactly Humour, but good Nostalgic Fun ) by Dr. Sudhir Bhushan

All highlighted key-words (in blue) are hyperlinked to appropriate Youtube & other web-pages for instant transport to an imaginative, nostalgic ‘re-viewing’ in your minds ~ to add to the relish of this song & theme review of “Dosti” below:

No, the allusion here is not to Sholaybut to the good old Bollywood classic Dosti , a recent re-watch (on YouTube) of immortal Rafi-rendered  songs of which brought back a poignancy cavalcade from the sweet, smouldering saga of love, friendship, estrangement, heartache & reunion that this Bollywood jewel of yesteryear was.

It happens to be one of the earliest watched movies of my life, in mid-sixties, when I was barely 6 or 7. And what an endearing treasure of melodious songs (composed by Laxmi-Pyare) replete with impassioned lyrics (of Majrooh Sultanpuri) on the meaning of friendship & love this lovely flick from Tarachand Barjatya stable has that it does not fail to move heart & soul even today.

The first song Jaane Walon Zara , which speaks of the eternal “such-is“ness of human condition, is a pointer to one & all of the conditioned blindness to our common roots of consciousness (through the allegorical blind, street-beggar protagonist in Sudhir Kumar).

It starts off with a short, sweet ‘aalap‘ by maestro Rafi and goes on to issue a gentle exhortation crafted in the lyrics:

Jaane walon zara murh ke dekho idhar,
ek insaan hoon main
 tumhaari tarah”.

As Sudhir Kumar  proceeds to warble (in Rafi’s divine voice)

Jisne sab ko racha apne hi roop se,
uski pehchaan hoon mein tumhaari tarah

and following the succeeding rasomalai-esque  mouth organ support from Sushil Kumar (the other lead protagonist, lame of legs, comprising the Dosti duo) continues with

is anokhe jagat ki mein taqdeer hoon,
mein vidhata ke haathon ki tasveer hoon
;
is jahaan ke liye
dharti maan ke liye,
Shiv ka
 vardaan hoon, mein tumhari tarah“,

The camera hovers on numerous innocent kids in the audience and you are forced to wonder if it is not a pair of angels who have chosen to walk incognito on earth as the blind- lame Dosti pair hoping to bring reminders to us of love, friendship & joy of companionship inherent in our true nature.

It gets even better from hereon as

man ke andar chipaye milan ki lagan,
apne Suraj se hoon ek bichdi kiran,
phir raha hoon bhatakta
mein yahaan se wahaan,
aur pareshaan hoon
mein tumhari tarah
    gives voice to the eternal human search for meaning in life that seems to strike instant chord with the watching, nodding audience- both old & young- in the song clip so beautifully pictured way back in the sixties.

Mere paas aao chhodo ye saara bharam,
jo mera dukh wahi hai tumhara bhi gham;
dekhta hoon tumhein, jaanta hoon tumhein,
laakh anjaan hoon ,main tumhari tarah

becomes the piece de resistance, as you view an adoring, wise-old-divine-looking man, emerging from the audience seeming intent to bless the singing angel for a message well conveyed.

The title song of the movie, Meri Dosti Mera Pyaar, celebrates the quintessential human requirement of friendship & platonic love enunciated in

koi jab raah na paye,
mere sang aye,
ke pag pag deep jalaye;
meri dosti mera pyaar
!”

Here the blind protagonist, singing paeans of his dosti & love for his dispossessed sister endeavours to inform the world:

dono ke hain roop hazar,
par meri sune jo sansar;
dosti hai bhai
to behna hai pyaar

and continues to extol the emotion of love & camaraderie with

pyaar ka hai pyaar hi naam,
kahin Meera, kahin Ghanshyam;
dosti ka yaaron nahin koi dhaam
.”

In Raahi Manwa Dukh Ki Chinta the philosophy of equivocation in both joy & sorrow finds an enchanting expression as

door hai manzil door sahi,
pyaar hamara kya kam hai,
pag mein kaante laakh sahi,
par yeh sahara kya kam hai:
hamrah mera koi apna to hai
.”

The mellifluous mouth organ accompaniment by Sushil Kumar in this song is simply electric to the ears!

The haunting melody Chahoonga Main Tujhe Saanjh Savere is one of the great gems by Rafi where he brilliantly succeeds in mutating, as only he can through his perfectly pitched euphonic voice, the melancholy of estrangement into divinely inspired acceptance of oneness despite distance.

Dard bhi tu,
chain bhi tu,
daras bhi tu,
rain bhi tu;
mitwa mere yaar,
tujhko baar baar awaaz main na doonga

so meaningfully & resonantly conveys the pathos of a heart torn asunder by the pain of separation, yet determined to continue blessing the love of its life. The song fetched a Filmfare award apiece to both maestros Majrooh & Rafi  for best lyrics and playback.

The alchemy is complete with Mera To Jo Bhi Kadam Hai which takes the theme of the previous number further forward enabling you to perceive the pinnacle of pathos getting transformed into acquiescence to what is in an inimitable performance by the melody king  Rafi crooning

khara hai dard ka rishta to fir judai kya,
juda to hote hain woh khot jinki chhah mein ho

and

chhupa hua sa mujhi mein hai tu kahin ai dost,
meri hansi mein nahin hai to meri aah me hai

This superbly soulful rendition has in it what it takes to move you to tears.

Tears provisioning for the movie buffs here, however, is not in their sad variants alone. The scintillating Lata number Gudiya Hamse Roothi Rahogi , featuring a doting Leela Mishra attempting (and succeeding) to woo back an estranged Baby (Daisy) Irani  with a sundry collection of dolls & mannequins while crooning

dekho ji kiran si lehar aayi,
aayi
re aayi re hansi aayi

is a veritable tears-to-joy composition.

All in all, the musical score from this box office hit of 1964 provides a great trip down the nostalgia lane and is the kind of fare no Bollywood yesteryear’s aficionados can ever think of parting dosti with!

Moronic Business

Qs.  What’s the best way to keep a moron busy?
Ans. Handing him a piece of paper with “P.T.O” written on either side!

And now, my (adapted ) limerick to explain the above:

Moronic Business!

I handed him over, a piece of paper
With ‘P.T.O’ written on either side

It kept him busy
Though rather uneasy
As he turned it over, until he died!

A Jab Of A Job

My fun-tribute to the super funny description of  the hyper-needle-sensitive category of patients (that we doctors often encounter) from the zany-n-zingy pen of Jug Suraiya, the fun-Dhanwantari of Indian Humour literature whom I have admired for a long time. A prior reading of Jug’s super-cool offering “Don’t needle us” (as it appeared in Jugular Vein/Juggelbandhi on the Times Of India Blogs, May 10, 2012; available online at the click of your mouse here on the http://blogs.timesofindia.indiatimes.com/jugglebandhi/entry/don-t-needle-us ) highly recommended in order to fully understand the following:

 

Hyper-funnies like us don’t need a jab!

Their only concern with jabs entails making provisions of them, with their penchant for penjabs, to all the fun-trypanophiles of the world at the expense of their trypanophobe compatriots. Jug Suraiyas of the world, have heart! Your annual ordeal needs not be the atrocity you so fun-dementally make it out to be.

Also, congratulations! You have had all the trypanosomes in existence, including the most famous one of them, Trypanosoma gambiense (the causative agent of ‘African sleeping sickness’ spread through the inject-bite of its insect vector tsetse fly to the mammalian hosts such as humans) wake up from deep slumber in their African abodes (at a time when New Delhi had woken up to a breakfast of your fun-jab shrieks) and take notice. And so awestruck were they with your fun tribute to the cause of things trypano (or ‘Trypanocausia’, the new syndrome I just nomenclatured), they decided to spend rest of the day rejoicing and spare humanity from their stinging jabs (they famously perform) for a full circle of the clock now that their biological clocks were upset because of their untimely arousal!

And science, we would like to proudly inform you dear fun-God Suraiya, hasn’t been quite as idle to the needs of trypanophobes as you believe. Unbeknown to many, it has already come up with options galore to spare humanity from the kind of annual ordeal you have so eloquently jabbed about. Why, there is a fun medical procedure such as biofeedback to obviate your requiring worrying about high cholesterol, triglycerides or blood sugar levels and, thus, even the need to endure jabs to provide blood samples!

Acupuncture, though it may have a sure cure for needle-phobia, would not be an acceptable option here for it will be a case of the ‘needle for needle’ double whammy. A Homoeopathic intervention, too, might help ameliorate the condition but would run the risk of needle(ss) prickly dermal side effects if its “similia similibus curantur” (or ‘likes are cured by likes’) approach went awry! Ayurvedic or Unani treatments for driving away the fear of the needle from the blood drawing sites (the veins on your arms) could instead cause your mouth cavity & tongue coming to dread the bitter, stinging medicinal taste!

Yet, get (needlessly) needled if you must, on the fun (to him) advice of your much needling doctor, then Dissociative Cognizance procedures such as those involving EFT or Self Hypnosis approaches could come to your rescue in order to jabtrain you for the fun of it. Or you could take recourse to reverting to one of your Multiple Personality S&M aspects that actually enjoys giving & receiving jabs of all persuasions!

And then there is Quantum Holonomic Psychodynamics which, in an out-of-this-world solution to your travails, enables you to be in touch with one of your not-so-trypanophobic spirit variant in an alternate physical universe who could gladly be persuaded to undertake a needle jab on your behalf so as to keep your combined spirits in the omniverse still resonably high. That should take the sting of the needle completely out of this world for you!

I could go on a bit longer with some more options made available by science, all of them more fun than calculating the value of pi to the 23rd decimal or figuring out Lady Gaga’s real name, if I didn’t have to worry about the Indian Medical Association seriously beginning to wonder about disowning me. Or the Omniverse Quackal Association feeling ebullient about owning me up as their next presiding chief after this Punjabi jugalbandi note to your Haryanvi penjab! This jab job, therefore, has to come to an end.

If I didn’t know better, I would have failed to conclude that your Jugular Vein rants on a truly need(li)-of-the-hour issue for so many need(less)li  needle-scared nuts was a really superb jab of Neuro Linguistic (Re) Programming from the great fun-God that you are. But now that I do conclude & declare so, would you please be instrumental in letting your representative fun-Doctor’s Banal Vein views reach the TOI readership in tomorrow’s columns (of Laughter Medicine?)!

 

(Needless to say that my good friend Jug Suraiya, Assoc. Editor of Times of India, did not find it possible to accommodate my foregoing fun-tribute on the pages of TOI.  Hence, its appearance here on my blog, instead!)

A Taste Of Your Own Medicine !

Something usually considered unpalatable comes to my fun-doctor mind when I come across fun-ideas such as declaring tea or alcohol our national drink (“Tea and whisky” ~Arif Zakaria 27 April 2012 & “Chai or beer, let’s raise a cheer” ~Jug Suraiya 28 April 2012 : in the TOI blogs).

Here is a thought for a universal drink most of us would readily swear to be an unpotable option but which, nevertheless, finds its way into our human system on a daily basis as much of humanity partakes of it unwittingly through contamination from a bad case of sanitation still present around most parts of the world. It’s a sort of ubiquitous karma cola flowing through every drain, nallah, lake, river, sea and ocean on the globe. And it carries the interesting epithet ‘Morarji Cola’ derived from the drinking habits of no less a personage than a past prime minister of the most populous democracy on earth.

It is the familiar waste product secreted by the kidneys that, in mammals, is a fluid which is yellow to amber in color, slightly acidic, and discharged from the body through the urethra. But this clinical definition apart, try telling anyone about the virtues of this ‘pee-wee‘ (in terms of quantity consumed by all the urophiles of the world combined, compared to all other popular drinks of the world) stuff and you are virtually assured of a gruff ‘piss-off‘ rebuff. But true urophiles – and there are many of the ilk to whom this deglutition is a milk ranging from Queen Cleopetras to Sarah Miles to Morarji Desais to Baba Ramdevs of the world – would have none of this deter them from being a consumer royale of this ambrosia regale doing service to an ailing humanity since antiquity.

In the article “Mutra-an Ayurvedic Medicine” in ‘davayurvedaezine’ written by Dr. P. K. Rai, Dr. Richa Rai & Dr. O. P. Singh, the urine of man, cow, goat, sheep, buffalo, elephant, horse and camel have been described (in Ayurveda) for their medicinal properties. The wikipedia page on Rasa Shastra informs us that in traditional medical lore of Ayurveda, there are methods corresponding to the alchemy familiar in the Mediterranean and Western European worlds which entail heating of thin sheets of metals & immersing them in cow-urine among other substances to bring out their medicinal properties.

Auto-urine therapy is an age-old practice of ancient India. Its practitioners talk of Shivambu, auspicious water of Lord Shiva, the Hindu god and promote it as an inexpensive way to gain health and vitality. In one commentary on the ‘Shivambu Kalpa Vidhi’ from the Damar Tantra, subsequently rumoured to have been imbibed by Jesus following his Tibetan trip, it is informed: “Many of you neophytes wonder what Tantra has to do with Urine Therapy. For millennia, this Tantra Vidya was very secret, but the Damar Tantra was open and literal enough to contain an entire chapter on Shivambu Chikista, also known as Maanav Mootra or UrineTherapy”. Jesus, too, warned us against secrecy: “Don’t hide your candle in a closet. Freely you have received: freely give to yourself.”

Cleopatra is perhaps the most famous beauty in history. Was her beauty just the luck of good genetics or was there something more that kept her looking her best? A common practice of the time in Egypt was to bathe in water with one’s own urine added. This was believed to be part of how Cleopatra maintained her youthful skin. Sarah Miles, the beautiful British actress, well known for her 1970 Academy Awards Best Actress nomination for David Lean’s ‘Ryan’s daughter’, has been a practitioner of auto urine therapy.  Citing Gandhi, who was an adherent of it, she has followed the tradition for thirty years, saying that it has kept her healthy and vigorous.

Former Prime Minister of India Morarji Desai, who lived up to the age of 99, has been the most well known proponent of this therapy. He claimed that India would have been better off if more people used this extremely inexpensive and effective way of treatment. He also attributed to Auto Urine Therapy the credit for his longevity. So fond & regular consumer of his own nephric filtrate was he that all the media attention on this (considered) quirky habit of his brought name & fame to his delicious, drink divine – and also the sobriquet Morarji Cola!

In recent times, the likes of Baba Ramdev have tried to re-introduce the therapeutic intervention of this delectable (to them) remedy as a cure for mouth ulcers, eye disease, acne, psoriasis, obesity among many other ailments. Has the clock come full circle since Morarji bhai’s time and is it time for another intersting label for this nectar around Baba Ramdev’s name? Or are we headed for the times when Baba Ramdevs of the world succeed in giving us the habit of a daily taste of our own medicine!

It’s a small mercy, yet, that with such a long history of human consumption of ‘Amaroli‘, the lovely Indian name for Urine Therapy, as attested by London based Yoga teacher Swami Pragyamurti Saraswati & the European researcher Coen van der Kroon (the celebrated author of ‘Golden Fountain: The Complete Guide to Urine Therapy’), they don’t seem too pee-tulant about enforcing its widespread use with their brand of moral policing!

Separation Pangs of a Tea Lover!

What’s the musicai wail of a heart torn asunder (from the love of its life) that belongs to a tea-lover (like myself) who has been given the strict ‘tea-abstain’ doctor’s orders as part of his rigorous dietary regimen to aid recovery from viral hepatitis?

The answer: This heart-rending tea-ghazal from the shaayrana pen of yours truly, composed way back in 1982 (at the time of doing my internship after finishing Med School), while actually recovering from (a mild case of) Viral Hepatitis, as a celebratory tribute to the mehbooba (beloved) that chai (tea) has always been to me!

महरूमियत-ए-चाय का आलम है कुछ ऐसा,
Mehroomiyat-e-chai ka aalam hai kuch aisa,
दिन को न मिले चैन न रातों को नींद आये;
Din ko na mile chain na raaton ko neend aye;
मयखाना-ए-दिल में है गमगीनी का साया,
Maikhana-e-dil mein hai ghamgeeni ka saaya,
बिन प्याला-ए-चाय के सुरूर नहीं छाये !
Bin pyaala-e-chai ke suroor nahi chhaye!

बा-वजह  दर्द-ए-जिगर थी जुदाई करी कुबूल,
Ba-wajeh dard-e-jigar thi judaai kari qubool,
पर एक नयी कसक मेरे दिल को लगी हाय;
Par ek nayi kasak mere dil ko lagi haaye;
उसकी वो गर्म-जोशी न मेरे लिए है अब,
Uski woh garm-joshi na mere liye hai ab,
गैरों के लब को चूमे, मुझसे आँख न मिलाये !
Gairon ke lab ko choome, mujhse aankh na milaye!

वो मुझसे दूर होना मेरी जां-नशीन का,
Woh mujhse door hona meri jaan-nasheen ka,
दिल को मेरे कचोटे, मेरी रूह को तडपाये;
Dil ko mere kachote, meri rooh ko tadpaye;
किस्मत की बेवफाई पर लगता है की मैंने,
Kismat ki bewafai par lagta hai ki maine,
खुद अपने राजदान के हाथों फरेब खाए !
Khud apne raazdaan ke haathon fareb khaye!

(और अब तो)
(Aur ab toh)
जीने को गरजमंद हूँ उस दिन के लिए जब,
Jeene ko gharazmand hoon us din ke liye jab,
गिनती मेरी भी उसके अपनों में फिर हो जाए !
Gintee meri bhi uske apno mein fir ho jaaye!

The Humourous Philosophy Of (Coming Of Age) Pain

WISDOM TOOTH


On its way to eruption,
My last third Molar;
Has given me, among other things,
A good bit of dolor*.

My jaw has hypertrophied,
And there is inflammation of gum;
I am afraid to open my mouth,
And have been rendered dumb.

’cause each attempt to move my jaws,
Gives me a pang of pain;
Making me the revelation:
“Wisdom is painful to attain”!

*dolor,one of the four cardinal signs of inflammation – (the other three being rubor or redness of hyperaemia, tumor or swelling & calor or warmth, as described by Aulus Cornelius Celsus, the father of Pathological Science) – is Latin equivalent of pain.

PS: The published version (way back in 1979 when I was a third year student at MAMC) of the poem, that I have been unable to locate presently, had a cartoon caricature of my swollen right side of face due to the soft tissue hypertrophy abutting on my jaw to give me a comical, wincing look!

Nap-time Buddies

Brad Pitt, my best buddy (in dreams, who I hang out with for the sake of Angie baby) is the bloke rendering the caricaturing service above. It’s definitely not me. I look infinitely more handsome (as attested by Angelina in my dreams)!

The feminine face of the wince of ‘coming of age pain’ above belongs to Paris Hilton – my wife’s best buddy (in my, not her, dreams who I hang out with for my, not her, sake)!